25 November 2023

TheBigBlack

Nirvana - MTV Unplugged In New York (1994)
[Grunge Rock]

To say Kurt Cobain had become an icon of a generation post-suicide was a big call, but actually somewhat an understatement. His ghost loomed in hard rock everywhere, and certainly any band out of Seattle couldn't even sigh without fans clamouring to find hidden meaning in their laboured breath. It was inevitable that the flood gates of unreleased Nirvana material would pour forth to the masses quickly, but this first release (around 6 months after Cobain's death, timed of course to cash in on the Christmas market) was not what was expected - but it was certainly appreciated. Cobain's songwriting legacy to the general public was the loud/soft dynamic of so many Nirvana singles, so this album was a perfect way to help the world appreciate the subtleties of his songwriting. It also allowed him to explore some of his musical influences. MTV were looking for a set of hit singles, but what they got instead was a range of lesser known Nirvana songs stripped back (not quite unplugged, as Cobain insisted on amping his guitar still) played with a unique charm. Cobain was mostly zoned out for the performance, reportedly suffering from heroin withdrawal at the time, but every vocal moment still shines magically. Nirvana mega-fans already knew a couple of the covers played from various recent performances, but for those hearing songs like The Vaselines' 'Jesus Doesn't Want Me For A Sunbeam' (with Krist Novoselic on piano accordion) and the epic Lead Belly closer 'Where Did You Sleep Last Night?' (something Cobain had toyed with for years) these were revelations. Bowie's 'The Man Who Sold The World' was also a very welcome surprise, but the addition of The Meat Puppets playing some of their own songs was like nothing in Unplugged history. It was a move typical of Cobain, once again showing that he played by no one's rules but his own.

mindkiller8

Metallica - Metallica (1991)
[Thrash Metal]

The 5th album in their repertoire, this album single handedly broke many hearts, but equally won new ones. 'They have sold out', was the call as the singles released hit mainstream plays. It is a consequence of the general need to feed music fans with something new, a little left of centre. The likes of AC/DC in the hard rock space were a little quiet, so too were the likes of Van Halen who had their share of radio play in the past. Equally the band were moving on from arguably their greatest release, even up to this day. When you think of it, what band would not crunch on the carrot that could provide them with the wealth they couldn't even dream of as a bunch of teens in the early 80's sharing bedrooms etc? Even to this day, there is the old school and new school who start any discussion with 'when Metallica's first release came out in 1991...' OK, let's look at the record itself. Firstly it is different from previous releases, no doubt. If we skip over the singles that opened them up to a wider audience, you uncover some smart songs, not always at full speed, but equally as nasty. 'Sad But True' is the starting point. Mid album you find some fast paced, but very measured songs that still gives us the 'Yeeaahhaa' and 'Ohhww' from Het. My favourites come at the end of the album with 'God' and 'Misery' which finally has Jasonic applying his trade by himself. Final track is what we have expected over previous albums – a fast paced end, which leaves you in thought of it you will ever buy another record from them or not. I certainly did.

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